REVIEW: All Quiet On The Western Front (2022)

Felix Kammerer as ‘Paul Bäumer’ in IM WESTEN NICHTS NEUES — PHOTO: Netflix.

Directed by Edward Berger — Screenplay by Ian Stokell, Lesley Paterson, and Edward Berger.

Can a war film ever truly be anti-war? A lot has been said on the topic over the years, with François Truffaut often being attributed to the quote that “there is no such thing as an anti-war film,” and Steven Spielberg reportedly disagreeing completely in an interview with Newsweek in which he stated that “every war movie, good or bad, is an anti-war movie.” With respect, I think both of their black-and-white absolute statements miss the mark. Certainly, there are war films that aren’t explicitly anti-war in case they showcase heroism or glorify the act of fighting for one’s country. Some would definitely argue that Spielberg’s Saving Private Ryan fell prey to some of these war movie pitfalls. On the other hand, I also think the Truffaut quote is a strange generalization. Actually, with All Quiet on the Western Front (2022), I think Edward Berger has done an excellent job of recreating the hell of World War One in a way that knocks you out, shakes you up, and sends waves through you.

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REVIEW: Dolor y Gloria (2019)

Spanish Theatrical Release Poster – Sony Pictures Releasing International

The following is a review of Dolor y Gloria (int. title: Pain and Glory) — Directed by Pedro Almodóvar.

Dolor y Gloria is Spanish filmmaker Pedro Almodóvar’s twenty-second feature film, but, admittedly, the first film of his that I have seen. It is a semi-autobiographical film about an aging Spanish filmmaker (whose name is unmistakably close to being an anagram for Almodóvar) who feels that his body and mind is working against him. Salvador Mallo (played by Antonio Banderas), the aforementioned fictitious filmmaker, is constantly depressed, and he also suffers from difficult headaches and serious back problems. All of these issues have stopped him in his tracks and made it difficult for him to continue to make his art — his films. Continue reading “REVIEW: Dolor y Gloria (2019)”