REVIEW: Palm Springs (2020)

Andy Samberg as Nyles (left) and Cristin Milioti as Sarah (right) in Palm Springs. — Photo: Hulu.

Directed by Max Barbakow — Screenplay by Andy Siara.

I am a sucker for time loop movies, and, like most people, I have been a huge fan of these films since I saw Harold Ramis’ Groundhog Day as a kid and fell in love with the concept and the film. Although I had seen him in the original Ghostbusters film prior to my first viewing of Groundhog Day, his quintessential time loop classic from 1993 was actually the film that made me a true fan of Bill Murray.

Similarly, Edge of Tomorrow, another fantastic time loop film, boosted Emily Blunt’s career, and, though it may be too early to tell, the Happy Death Day-film series ought to do the same thing for Jessica Rothe. Every time loop film released after 1993 stands on the shoulders of Groundhog Day, and, even though Edge of Tomorrow and Happy Death Day are great films in the subgenre, there are many films that fail to build off of that formula in a satisfying way. Fortunately, Max Barbakow’s Palm Springs is a refreshing and timely (more on this later in the review) time loop film.

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