Evil Dead Burn (2026) | REVIEW

Erroll Shand as ‘deadite’ Edgar Price in EVIL DEAD BURN — PHOTO: Warner Bros. Pictures / Sony Pictures Releasing International (Still image from trailers).

Directed by Sébastien Vaniček — Screenplay by Sébastien Vaniček and Florent Bernard.

It has been fascinating to watch how the Evil Dead film series has evolved from being the genre-fluid horror brainchild of auteur Sam Raimi to now being a franchise that essentially offers an opportunity to on-the-rise filmmakers to play around with Raimi’s creations. In 2013, it was Fede Álvarez who made his feature directorial debut with the reboot simply titled Evil Dead, and he has since gone on to make films such as Don’t Breathe and Alien: Romulus. Ten years later, it was The Hole in the Ground director Lee Cronin who got to tell his story with Evil Dead Rise, and earlier this year, Cronin released a The Mummy film that is, essentially, an Evil Dead film in everything but name. Now, in 2026, it is French filmmaker Sébastien Vaniček who has taken hold of the reins of the series of films. The fact that he was attached to the franchise was something that made me quite excited, because I was a big fan of his Arachnophobia-meets-Attack-the-Block spider-horror flick Infested (also titled Vermins). Like Cronin and Álvarez before him, Vaniček has made an entertaining and brutal horror flick. Although it’s not a perfectly smooth ride, Evil Dead Burn is yet another solid entry in the beloved series of films, which is still going strong.

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Pearl (2022) | REVIEW

Mia Goth in Ti West’s PEARL — PHOTO: A24.

Directed by Ti West (X) — Screenplay by Ti West.

In spite of its late release in my corner of the world, Pearl — a prequel to Ti West’s horror hit X — was initially released in the very same year as X was in the United States. Together they present us with a fascinating horror period piece exercise centered on the power of the craft of filmmaking, being and feeling seen, and the American Dream. Whereas X was set in the 1970s, Pearl takes place in 1918 and follows its titular character (played by Mia Goth), a young woman who lives with her German immigrant parents on a farm in Texas. This is, indeed, the same elderly woman that Mia Goth played while covered in make-up and prosthetics in X (one of her two roles in that film), and this film thus serves as an origin story for that character. In the film, we see how Pearl feels trapped and lonely partly due to the fact that her husband (played by Alistair Sewell) is fighting in World War One in Europe, while her strict mother (played by Tandi Wright) insists that she does chores on the farm. Meanwhile, Pearl becomes increasingly infatuated with entertainment and dancing, and she is desperate to one day get up on a stage and gain mass approval — which a theater projectionist (played by David Corenswet, who was recently chosen to be the next Superman) ensures her she is ‘pretty enough’ for.

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