The following is a review of the seventh and final season of HBO’s Veep.

For seven seasons, Julia Louis-Dreyfus has been the face of the state of American political satire. She has dominated awards ceremonies, cussed out her supporting cast more times than Jesse Pinkman said “Bitch!” on Breaking Bad, and given outstanding performances again and again. But now her time as Selina Meyer is over. She has left an already long-standing satirical legacy that is much more significant than her character’s political legacy if the final shot of Veep is to be believed.

Though Veep changed showrunner over the course of its run, it was almost always a step ahead of the political state of America, even as America seemed insistent on nominating someone for president who would be just as vicious and disinterested as Selina Meyer. As showrunner David Mandel once wrote in a column for The Hollywood Reporter: “there’s nobody more Trumpy than Selina. […] Trump, in a weird way, is sort of doing us. We’re not doing him.” Continue reading “REVIEW: Veep – Season Seven (2019)” →