Directed by Christian Tafdrup – Screenplay by Christian Tafdrup & Mads Tafdrup.
At this year’s Sundance Film Festival, critics and festivalgoers alike were introduced to one of Denmark’s latest filmmaking provocateurs, Christian Tafdrup. The actor-turned-director got his career as a filmmaker started with his first two feature-length efforts Forældre (int. title: Parents) and En Frygtelig Kvinde (int. title: A Terrible Woman), the latter of which starred Amanda Collin (who you may have seen in HBO Max’s Raised by Wolves) and was a relative hit that provoked some audience-members. Speak No Evil — Tafdrup’s latest feature film — was received fairly well at the festival, and is, reportedly, one of the best films that actor Robert Pattinson has seen in many years. I won’t go that far, but I will say that I think this very unsettling Danish thriller is Tafdrup’s best film yet.
I was elated when Robert Pattinson was announced to play Batman. Pattinson’s work in independent films had impressed me so much, and I thought he was a pretty obvious choice for the role. However, as many people know, Batman movies always lead to premature casting criticism (people were critical of Heath Ledger, Michael Keaton, and Ben Affleck long before they had even seen them in their respective films). I remember receiving rude comments about my excitement for Pattinson as Bruce Wayne. After having finally seen the film, I can honestly say that I feel vindicated. Pattinson is great and Reeves has once again made an outstanding blockbuster film in a vastly popular (and, to some, tired) franchise.
Directed by Antonio Campos (Christine) — Screenplay by Antonio & Paul Campos.
In a year such as 2020, where a global pandemic has changed our lifestyle drastically and paralyzed the entertainment industry, major new releases from streaming services such as Netflix end up meaning quite a lot. The release of The Devil All the Time is one that I have been looking forward to for quite some time, as it is an adaptation of a popular novel by a relatively seasoned filmmaker and since it features an absolutely incredible and star-studded ensemble cast. It is a dark, bleak, and depressing film that will likely divide audiences, but I have to say that it had my complete interest for the entire run-time. It isn’t necessarily a film that will be remembered years from now, but it is a dark and gripping slow-paced drama about violence, religion, and America. Continue reading “REVIEW: The Devil All The Time (2020)”→
The following is a review of Tenet — Directed by Christopher Nolan.
In December of 2019, I sat down in an IMAX theater to watch the ninth episode of the so-called Skywalker-saga, Star Wars: The Rise of Skywalker. Accompanying the latest Disney space opera was an early preview of Christopher Nolan’s upcoming film Tenet. The lengthy, overwhelming, and jaw-dropping clip was riveting and showed a lot of promise. As a Star Wars fan, it hurts to admit that that clip was so good, in fact, that the Disney-film it preceded struggled to live up to it. In fact, during the last eight months, I’ve thought a lot about that preview, while I have yet to revisit The Rise of Skywalker. Christopher Nolan’s ambitious spy flick has, in the wake of the COVID-19 pandemic, been proclaimed to be the potential savior of the theatrical experience, which has, understandably, struggled immensely this summer. Continue reading “REVIEW: Tenet (2020)”→
Oh, Affleck. It seems like just yesterday that I was flip-flopping on the night of the announcement whether or not I liked that he was cast as DC’s Caped Crusader. He ended up doing a pretty good job in Batman v Superman: Dawn of Justice, but he was one of the clearly noticeable problems with Justice League. Recently, it was announced that Affleck will not be playing Bruce Wayne in Matt Reeves’ film about the Dark Knight. So, today, I want to show my readers who I want to see play Batman in Reeves’ film. Continue reading “Who Should Play Batman in Matt Reeves’ Batman-Film? – Special Features #47”→
The following is a short review of Good Time – Directed by The Safdie Brothers.
Have you ever been awake for more than twenty-four hours and then felt like a whole week has passed? Well, what if one night was so anxiety-inducing that it felt like it lasted a lifetime? That is Good Time, a misguided young man’s journey through a hellish night in New York to save his developmentally challenged brother from a hellish existence behind bars. Continue reading “REVIEW: Good Time (2017)”→