RETRO REVIEW: Thunderball (1965)

James Bond (Sean Connery) swims with sharks — Photo: United Artists / Eon Productions.

Directed by Terence Young — Screenplay by Jack Whittingham, Richard Maibaum, and John Hopkins.

In this day and age, where we just had a six year wait between Sam Mendes’ SPECTRE and Cary Joji Fukunaga’s No Time To Die, it actually is a little bit tough to wrap you head around the fact that United Artists and Eon Productions released a Bond-film every year from 1962 to 1965. Add to that, the fact that Terence Young directed three of those films and it becomes even more astounding. However, this was actually Young’s final Bond-film, and that occasion was marked by the fact that the budget was much, much bigger than when Young introduced audiences to the character.

Continue reading “RETRO REVIEW: Thunderball (1965)”

RETRO REVIEW: Goldfinger (1964)

Shirley Eaton as Jill Masterson in GOLDFINGER — Photo: United Artists / Eon Productions.

Directed by Guy Hamilton — Screenplay by Richard Maibaum and Paul Dehn.

Here we go. Goldfinger is the first major James Bond-film. This is arguably the most iconic film in the franchise. Following the commercial success of Terence Young’s Dr. No and From Russia With Love, the producers handed Guy Hamilton, who had turned down the directing duties on Dr. No, the reins to the film series and provided the production a sizable budget of $3 million (the previous two films’ budgets combined). This was the movie that changed everything for the franchise, and, looking at it today, it is easy to see why.

Continue reading “RETRO REVIEW: Goldfinger (1964)”

RETRO REVIEW: From Russia With Love (1963)

Robert Shaw as Red Grant and Sean Connery as James Bond in FROM RUSSIA WITH LOVE — Photo: United Artists / Eon Productions.

Directed by Terence Young — Screenplay by Richard Maibaum.

Dr. No was a huge financial success, so United Artists doubled the budget for its follow-up, From Russia With Love, which was allegedly the final film President John F. Kennedy screened at the White House. Though it is, naturally, a little bit dated, Terence Young’s From Russia With Love is a significant improvement on Dr. No. This feels much more ambitious and extravagant, even though it does suffer from some of the same issues that the first film did.

Continue reading “RETRO REVIEW: From Russia With Love (1963)”