Directed by Destin Daniel Cretton — Screenplay by Destin Daniel Cretton, Dave Callaham (Wonder Woman 1984), and Andrew Lanham.
The future of the movie theater industry has been the source of much debate in film fan circles during the ongoing global COVID-19 pandemic. Films have had their theatrical release delayed, some films have been released on premium-video-on-demand, such as Disney+ with Premiere Access, at the same time that they have been released in theaters, while, in the United States, most if not all Warner Bros. films from 2021 have been released in movie theaters and on HBO Max for no additional cost on the very same day, which was the case with The Suicide Squad. So, in addition to the fact that movie theaters have to accept the ongoing pandemic, movie theaters now also contend with subscriptions, streaming services, and premium-video-on-demand.
Now, it would appear that movie theaters have also begun to fight back against this trend with the one thing they can do, which is to refuse to release a studio’s film in theaters. Strangely, although it, unlike Black Widow, has not been released on Disney+ with Premiere Access, major theater chains have stuck by their Disney boycott with Shang-Chi and the Legend of the Ten Rings. In Denmark, I think only about ten theaters are showing it currently, which is a real shame because Shang-Chi is rad and well-worth the price of admission.
Directed by Navot Papushado — Screenplay by Navot Papushado & Ehud Lavski.
While the Chad Stahelski and David Leitch’s John Wick from 2014 was a fantastic and emotionally involving revenge action film, I didn’t initially like the idea of making it a franchise. Eventually, though, I warmed to the idea and grew to really appreciate the Keanu Reeves-led stylized action franchise, and I became invested in the films’ epic underworld which was surprisingly complex. With the success of Stahelski and Leitch’s action franchise, similar films were produced to varying results. Unfortunately, in spite of its impressive cast, Navot Papushado’s Gunpowder Mikshake feels more like an imitation of Stahelski and Leitch’s impressive world-building than a successful original film.
The following is a review of Crouching Tiger, Hidden Dragon: Sword of Destiny, a Netflix Original Film.
Netflix Original Films had a pretty good track record prior to the release of this Crouching Tiger, Hidden Dragon-sequel. Beasts of No Nation is an excellent BAFTA-nominated war drama, and The Ridiculous Six, though awful and offensive, isn’t without its supporters, as it is such a ‘by-the-book’ offensive gross-out comedy. It saddens me to say that Crouching Tiger, Hidden Dragon: Sword of Destiny makes Beasts of No Nation look like the exception to the rule that Netflix films aren’t that great… Continue reading “REVIEW: Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)”→