Tag: Matthias Schoenaerts

Supergirl (2026) | REVIEW

Ruthye (Eve Ridley) and Supergirl (Milly Alcock) in SUPERGIRL -- PHOTO: Warner Bros. Pictures (Still image from trailers).
Ruthye (Eve Ridley) and Supergirl (Milly Alcock) in SUPERGIRL — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Craig Gillespie (I, Tonya) — Screenplay by Ana Nogueira.

Timing is of paramount importance when you want to release a highly-budgeted film in theaters around the world. You have to make sure that you’re not putting something out at a time when people are really laser-focused on other activities. One film that I think may’ve been really hurt by the timing of the 2026 FIFA World Cup this summer is Craig Gillespie’s Supergirl. At least, I never got around to watching it in theaters, because I prioritized other films and shows when I wasn’t watching football. It looks like I wasn’t the only one who skipped it, because it really struggled during its theatrical release, to say the least. But I was, and still am, quite interested in the title character and the film as a whole, so when this film had its streaming premiere recently, I felt compelled to give it a real chance and a full standalone review. Supergirl isn’t great, but I also don’t think it’s a disaster. It exists somewhere in the territory between unremarkable and okay, and in the process of writing this review, I tried to figure out exactly at which end I found myself.

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REVIEW: The Old Guard (2020)

Release Poster – Netflix

The following is a review of The Old Guard — Directed by Gina Prince-Bythewood.

Gina Prince-Bythewood’s The Old Guard is a straight-to-Netflix superhero action film that is based on the comic book of the same name, which was written by the film’s screenwriter Greg Rucka. The Old Guard follows a group of four warriors led by Andromache “Andy” of Scythia (played by Charlize Theron). Each of these warriors is superpowered with regenerative healing abilities, which means that they can all survive being killed. After the superpowered vigilante squad survive an ambush on a mission in South Sudan, they soon realize that they are being hunted by someone who wants the power that they possess, and, meanwhile, they have visions that indicate that there is a potential new recruit in the United States Marine Corps, Nile Freeman (played by KiKi Layne). Continue reading “REVIEW: The Old Guard (2020)” →

REVIEW: The Laundromat (2019)

The following is a review of The Laundromat — Directed by Steven Soderbergh.

Earlier this year, Palme d’Or-winning director Steven Soderbergh’s first Netflix film High Flying Bird was released on Netflix. It, a great film about the intersection of sports and business, is still one of the best surprises of the year. The Laundromat, Soderbergh’s second Netflix feature film, was a film that I was looking forward to, for quite some time, due to the director and the cast. Based on the premise, the filmmaker, and the cast, I thought this was going to be one of the most interesting films of the year. Unfortunately, The Laundromat, a playful but tired biographical drama, is interesting for all the wrong reasons. Continue reading “REVIEW: The Laundromat (2019)” →

REVIEW: Red Sparrow (2018)

Theatrical Release Poster – 20th Century Fox

The following is a review of Red Sparrow — Directed by Francis Lawrence.

In a talk show interview with Stephen Colbert, Jennifer Lawrence — the star of Red Sparrow — asked her haters not to see her psychological spy thriller. “If you’re, like, a typical ‘hater’ and you have a blog, don’t go. You’re officially totally uninvited,” Lawrence laughed. Although I would not call myself a ‘typical’ hater, or even a Lawrence-hater, I am, on the other hand, not a die-hard fan. I have been intrigued by her choices of late, though. With intriguing films like mother! and, now, Red Sparrow — two audience-unfriendly thrillers — Lawrence is starting to reframe the way she is perceived. Continue reading “REVIEW: Red Sparrow (2018)” →

REVIEW: The Danish Girl (2015)

Release Poster – Focus Features

The following is a review of The Danish Girl, a Tom Hooper film.

When I first heard about this film going into production I was fairly intrigued. The fact of the matter is that while I don’t know much about the story or the people it is depicting, I am a Dane, and I walk the streets of Copenhagen every week. I was excited to have this biopic feel authentic, but some things did leave me somewhat puzzled and annoyed after the end credits. Continue reading “REVIEW: The Danish Girl (2015)” →