Masters of the Universe (2026) | REVIEW

The villain ‘Skeletor’ (Jared Leto) in Travis Knight’s MASTERS OF THE UNIVERSE — PHOTO: Amazon MGM Studios & Sony Pictures Releasing International (Still image from trailers).

Directed by Travis Knight — Screenplay by Chris Butler, Aaron Nee, Adam Nee, and David Callaham.

I can’t say that I have much of a prior relationship with the 1980s Mattel toy line or the animated series that were built around it (or, for that matter, a big relationship with the 1987 live-action film adaptation). In fact, even though I’m pretty sure I saw the Dolph Lundgren film when I was young, I mostly know the characters from my father, who, still to this day, quotes Frank Langella’s Skeletor from time to time. Still, I was curious to see what a new film adaptation of the story could be like, especially given the years of development hell it went through. Well, Travis Knight’s Masters of the Universe was recently released on Amazon Prime Video, so I finally got to see the film just the other day. Having now seen it, I will say that I mostly enjoyed the Bumblebee-director’s attempt at giving new life to He-Man and the many characters, but I don’t think this is a complete home run.

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Barbie (2023) | REVIEW

(L-R) Ryan Gosling as ‘Ken’ and Margot Robbie as ‘Barbie’ in Greta Gerwig’s BARBIE — PHOTO: Warner Bros. Pictures.

Directed by Greta Gerwig (Little Women) — Screenplay by Greta Gerwig and Noah Baumbach (Marriage Story).

This weekend, the movie event of the year finally arrived with the release of the escapist comedy and social satire picture Barbie and the dark and dense historical epic and biopic Oppenheimer. The simultaneous release of two films from modern auteurs Greta Gerwig and Christopher Nolan couldn’t just be counterprogramming. Rather, the internet decided that it had to be a meme (Barbenheimer, it’s been dubbed). Theater owners all over the world ought to be rejoicing at the internet’s impromptu online public support for a double billing of two films that in most ways couldn’t be farther apart. Moviegoing audiences are also in luck, because it just so happens that both films are terrific. Although the very pink and mostly lighthearted IP-driven comedy from Greta Gerwig may, from the outset, seem trivial when compared to the adult-oriented three-hour Christopher Nolan epic about our ability to destroy ourselves, the Barbie movie does have quite a bit to say, and it would be wrong to disregard it as a cynical cash grab or a marketing exercise. This one is as fun and lighthearted as it is critical.

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