Unabomber (2026) | REVIEW

Jacob Tremblay as a young Ted Kaczynski in Janus Metz Pedersen’s UNABOMBER — PHOTO: NETFLIX (Still image from trailers).

Directed by Janus Metz Pedersen — Screenplay by Sam Chalsen and Nelson Greaves.

When I first heard of this Netflix title, I was instantly interested. Here was a crime drama based on a true story from Danish director Janus Metz Pedersen. Pedersen’s strong work in television shows — episodes of True Detective, ZeroZeroZero, and Andor — has made him a director whose career I’m really interested in following. On top of that, this project featured a strong cast, including screen star Russell Crowe and Jacob Tremblay, the child actor from Room, Good Boys, and Doctor Sleep, who is now trying to prove himself again as an actor in his late teens. I was hoping for something akin to Netflix’s Mindhunter, but this is, unfortunately, quite far from the quality of that iconic two-season series. Unabomber is the kind of film that is trying to be too many things at once, while not being particularly good at any of those things.

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REVIEW: Ford v Ferrari (2019)

Theatrical Release Poster – 20th Century Fox

The following is a review of Ford v Ferrari, also known as Le Mans ’66 — Directed by James Mangold.

James Mangold’s Ford v Ferrari tells the true story of the rivalry between Enzo Ferrari (played by Remo Girone) and Henry Ford II (played by Tracy Letts) in the lead-up to the 1966-edition of the French 24-hour race known as the ‘Le Mans.’ The film follows Carroll Shelby (played by Matt Damon), a former Le Mans winner and current automotive designer and engineer, and Ken Miles (played by Christian Bale), a testy but talented British race-car driver. Ford wants to beat Ferrari at his own game, so to speak, so he hires Shelby to design a racecar mighty enough to trounce the Italian rival, which had rejected Ford’s offer to purchase them. Shelby insists that Miles is the only man who understands the car they build together for Ford, but executives at Ford believe that Miles isn’t a company man, and they are prepared to derail the entire project to ensure that Shelby and his crew, none of whom are yes-men, follow their orders. Continue reading “REVIEW: Ford v Ferrari (2019)” →