Tag: Leigh Whannell

Every ‘Insidious’ Film Ranked (2023)

Insidious Film Posters (2010-2023)

Recently, the Insidious and Conjuring scream king Patrick Wilson got the chance to sit in the director’s chair to direct the latest and potentially final Insidious film for the big screen, Insidious: The Red Door. As I wrote in that review, this series is the “lower-budgeted and less revered film series sibling” to The Conjuring, but it has a passionate fan base that always makes these films successful in movie theaters around the world. I quite liked Wilson’s film, but how does it compare to the other films in the franchise? Well, let’s have a look.

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Insidious: The Red Door (2023) | REVIEW

Patrick Wilson in Screen Gems’ INSIDIOUS: THE RED DOOR.

Directed by Patrick Wilson — Screenplay by Scott Teems — Story by Leigh Whannell and Scott Teems.

Insidious is just one of several horror film franchises kickstarted by modern horror icons James Wan and Leigh Whannell. Eventually, both Wan and Whannell have had to pass the director’s chair off to someone else whose job it is to not just continue the style of previous entries in these series but also someone careful and considerate enough to shepherd the values of the franchise. With 2018’s Insidious: The Last Key, the fourth film in the franchise, Wan and Whannell (who has a screenwriting credit on the film) passed the director’s chair to Adam Robitel, whose Insidious film was the second prequel film in the series, as well as the second prequel film in a row to abandon the Lambert family haunting in favor of focusing on the paranormal investigators and the psychic introduced in the first two films. But eventually, the Lambert family haunting narrative that Wan and Whannell made us so invested in with Insidious Chapters 1 and 2 (released in 2010 and 2013, respectively) had to continue. That’s where scream king and star of the original two films, Patrick Wilson, comes in — because he wasn’t just convinced to return in a significant role for the fifth and potentially final film, he also signed on for it to be his feature directorial debut. 

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Top Ten Films of 2020

Another year for film is in-the-books, but 2020 was a film year unlike any other. Like much else in 2020, it will end up being defined by the COVID-19 global pandemic. For the film industry that means that film releases were delayed or postponed sometimes several times thus leaving the 2020 film year in an odd place with much fewer major releases than expected. Tenet feels like one of the only major blockbuster films that were actually released in 2020, and its woeful performance at the box office made studios even more intrigued by the idea of releasing films on PVOD. This leaves the movie theater industry in a tricky place. However, in Denmark, the movie theater industry was salvaged by a resurgence of truly great Danish films from some of our greatest directors and starring our most popular actors.

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8th I’m Jeffrey Rex Awards – 2020

It’s finally time to reveal what films, shows, songs, performances, and games were my absolute favorites of the year 2020. Look, I know what you’re thinking, we’re already in July of 2021. But, to be perfectly honest with you, the last twelve-to-sixteen months or so have for obvious reasons made everything a bit unclear to me. Let’s just say, it was a weird year, as was also evident by the fact that AMPAS decided to push the eligibility window for their recent awards ceremony (which both honored 2020 films and select films from early 2021). I’m not doing that, though. I still have my strict year-end deadline, but, unlike the last seven I’m Jeffrey Rex Awards, I’m announcing both the nominees and winners of each and every category in this very post. So strap in, folks, and let’s talk about the best and most memorable culture of 2020.

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REVIEW: The Invisible Man (2020)

Theatrical Release Poster – Universal Pictures

The following is a review of The Invisible Man — Directed by Leigh Whannell.

120 years after H. G. Wells’ original science fiction novel The Invisible Man was released, Alex Kurtzman’s The Mummy was released to negative reviews. That film was intended to kickstart an interconnected cinematic universe known as the ‘Dark Universe,’ of which a The Invisible Man-adaptation was supposed to be a part. However, instead, the Dark Universe quickly became the most used example of a cinematic universe that fell apart before it had a chance to connect two films. Three years after the release of Kurtzman’s monster movie, which was a critical and financial failure, we have the latest adaptation of the aforementioned iconic Wells-novel. Although Leigh Whannell’s The Invisible Man is notably not a part of any cinematic universe, he has done what Kurtzman, unfortunately, failed to do, i.e. make an effective and modern monster movie. Continue reading “REVIEW: The Invisible Man (2020)” →