Directed by Michael B. Jordan — Screenplay by Keenan Coogler and Zach Baylin.
It would be fair to say that Michael B. Jordan is, to a certain extent, following in the footsteps of Sylvester Stallone. Not only has he taken over as the lead of the Rocky franchise, which is now spearheaded by Apollo Creed’s son, Adonis “Donnie” Creed, but his films have followed similar patterns as Stallone’s Rocky films. With Creed III, the extent to which Jordan is following in his footsteps has reached a new level with Jordan taking on directing duties just as Stallone eventually did for one of his most beloved franchises, which he appeared to exit at the end of Creed II (I thought it was a sweet ending to his story, though it sounds like he isn’t happy about the series moving on without him). Ryan Coogler’s Creed was a beautiful and moving knockout blow, Steven Caple, Jr.’s Creed II was solid but formulaic (and felt too much like a sequel to Rocky IV), and, now, Michael B. Jordan’s Creed III is similarly formulaic but it is also a strong and satisfying response to some of the reservations that I had about Creed II.
Directed by Peyton Reed — Screenplay by Jeff Loveness.
Trilogies in the Marvel Cinematic Universe aren’t really trilogies. You can’t watch the Iron Man or Captain America trilogies without knowing what happens in the Avengers films. Or, of course, you can, but it would be a strange exercise as those trilogy films eventually reference other films, are reliant on those other films’ setup, or are direct continuations of a film that isn’t technically in that very trilogy. This has also been true of the Ant-Man trilogy. If you just watch Ant-Man and Ant-Man and the Wasp (both directed by Peyton Reed), you’ll definitely have some questions about why Paul Rudd’s Scott Lang is under house arrest and about what the hell happened in the 2018 sequel’s mid-credits scene, in which most of the cast suddenly disappeared (thus stranding Scott Lang in the so-called Quantum Realm). Similarly, those who have decided to live under a rock (or simply ignore every other Marvel movie — including two of the biggest films of all time) would probably be really confused as to what happened between the 2018 sequel and this 2023 sequel. I suspect very few people would find themselves in that situation, but I mention all of this because the interconnected nature of the incredible achievement that is the Marvel Cinematic Universe (MCU) can be both very exciting and confusing depending on who you ask.
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In October 2020, among other things, I wrote about the best performances that Mads Mikkelsen has ever delivered.
The following is a review of Da 5 Bloods — A Spike Lee Joint.
Spike Lee’s Da 5 Bloods is a war film about the lasting effects of the Vietnam War on four African-American war veterans — Eddie (played by Norm Lewis), Otis (played by Clarke Peters), Melvin (played by Isiah Whitlock, Jr.), and Paul (played by Delroy Lindo) — collectively known as the ‘Bloods.’ Now, decades after the war has ended, the Bloods have returned to Vietnam to retrieve what they left behind in the jungle. They claim to only be back to retrieve the body of their squad leader, Stormin’ Norman (played by Chadwick Boseman), but they also want to find the precious gold bars that they had to leave behind when they were young men. Continue reading “REVIEW: Da 5 Bloods (2020)”→