The Odyssey (2026) | REVIEW

Matt Damon as ‘Odysseus’ in Christopher Nolan’s THE ODYSSEY — PHOTO: Universal Pictures (Still image from trailers).

Directed by Christopher Nolan — Screenplay by Christopher Nolan.

I vividly remember watching Don Chaffey’s Jason and the Argonauts when I was a kid. Images of those Ray Harryhausen practical creature effects on display just burned themselves into my memory, for whatever reason. I’ve heard stories from my mother that she and her siblings once huddled up around the television, when she was young, to watch an adaptation of Homer’s Odyssey, only to have the TV then break in the middle of it (much to their frustration). Great sword-and-sandal myths and epics just do something to us, and so I was excited to see the latest attempt at making a larger-than-life sword-and-sandal epic with my mother this weekend. The film, of course, is Christopher Nolan’s The Odyssey. The first film to be filmed entirely with IMAX cameras. It’s one of the biggest films of the year; it has a star-studded cast, and it is made by one of the most popular filmmakers of my lifetime. I don’t think I could be more excited to see the film than I was. Despite all of the weight of anticipation and the challenges of the story, the film is a triumph. It both feels like something that filmmakers and studios don’t try to make anymore and like something that could only be made at this scale today. Christopher Nolan’s latest film is both unlike anything he’s ever done before, concerning genre, myth, and magic, and exactly like so many of the other films in his oeuvre, concerning structure, message, and character goals. It is a daunting and colossal challenge of a project, and a test that the popular auteur has passed with flying colors. 

Continue reading “The Odyssey (2026) | REVIEW”

REVIEW: The Menu (2022)

Ralph Fiennes’ Julian Slowik sizes up Anya Taylor-Joy’s Margot, who wasn’t supposed to be there, in THE MENU — PHOTO: Eric Zachanowich / Searchlight Pictures.

Directed by Mark Mylod — Screenplay by Seth Reiss and Will Tracy.

Mark Mylod’s The Menu follows Margot (played by Anya Taylor-Joy) and her food-obsessed boyfriend, Tyler (played by Nicholas Hoult). Tyler has paid for them to go to this highly exclusive restaurant called ‘Hawthorne,’ which resides on this little remote island. Hawthorne is home to the world-renowned chef Julian Slowik (played by Ralph Fiennes) and his highly devoted kitchen staff. Tyler has paid an obscene amount of money to get there because he worships Slowik, and, in actuality, the trip wasn’t originally meant for Margot but rather for his ex-girlfriend. In fact, Margot seems wholly disinterested in the pretentious dishes and overall culture around high-end cooking. She stands out immediately among the guests who also include a food critic that can make or break careers (played by Janet McTeer), tech investors, a past-it actor (played by John Leguizamo), and others. For this evening, Slowik has prepared a detailed but theatrical menu that toys with expectations and that takes aim at his guests. But, eventually, Margot and others start to question whether what is happening is showy high-end cooking or something much more malicious.

Continue reading “REVIEW: The Menu (2022)”

REVIEW: The Infiltrator (2016)

Theatrical Release Poster - Broad Green Pictures
Theatrical Release Poster – Broad Green Pictures

The following is a quick review of The Infiltrator – Directed by Brad Furman.

The Infiltrator tells the story of how Robert Mazur helped bust Pablo Escobar’s money-laundering organization. In the film Mazur (played by Bryan Cranston) goes undercover as ‘Bob Musella’ with his partner, Emir (played by John Leguizamo), and a rookie undercover agent, Kathy (played by Diane Kruger). Continue reading “REVIEW: The Infiltrator (2016)”