Oppenheimer (2023) | REVIEW

Cillian Murphy is outstanding as the titular theoretical physicist in Christopher Nolan’s OPPENHEIMER — PHOTO: Universal Pictures.

Directed by Christopher Nolan (Dunkirk; Tenet) — Screenplay by Christopher Nolan.

In 1965, famed physicist J. Robert Oppenheimer appeared on a television broadcast, and, on said broadcast, he gave an account of how people reacted and what went through his head during the so-called ‘Trinity Test’ in 1945, when Oppenheimer and a group of physicists had successfully created and detonated the first nuclear weapon. Oppenheimer claimed that a specific line from the Hindu scripture the Bhagavad Gita popped into his head: “Now I am become Death, the destroyer of worlds.” It is a chilling quote that has echoed through generations and had a life of its own. For the twelfth feature film in his oeuvre, the immensely popular auteur filmmaker Christopher Nolan opted to tell J. Robert Oppenheimer’s story. It’s a film about a man full of paradoxes, such as how he became a political figure with strong left-wing disarmament views but was also the man who is known for having willfully created a weapon that once dwarfed all others and forever changed warfare and foreign policy. But it is also a film that gets to the heart of the rot of the American soul in the 20th Century. It is an intimate account of the complicated headspace of a historically significant genius, but it is also a haunting and damning cautionary tale about learning the wrong lessons, naivete, guilt, covetousness, and ripple effects. It is an astoundingly brilliant achievement and much more than your average biopic.

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REVIEW: Tenet (2020)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Tenet — Directed by Christopher Nolan.

In December of 2019, I sat down in an IMAX theater to watch the ninth episode of the so-called Skywalker-saga, Star Wars: The Rise of Skywalker. Accompanying the latest Disney space opera was an early preview of Christopher Nolan’s upcoming film Tenet. The lengthy, overwhelming, and jaw-dropping clip was riveting and showed a lot of promise. As a Star Wars fan, it hurts to admit that that clip was so good, in fact, that the Disney-film it preceded struggled to live up to it. In fact, during the last eight months, I’ve thought a lot about that preview, while I have yet to revisit The Rise of Skywalker. Christopher Nolan’s ambitious spy flick has, in the wake of the COVID-19 pandemic, been proclaimed to be the potential savior of the theatrical experience, which has, understandably, struggled immensely this summer. Continue reading “REVIEW: Tenet (2020)”