Disclosure Day (2026) | REVIEW

Emily Blunt and Josh O’Connor look into each other’s eyes in Steven Spielberg’s DISCLOSURE DAY — PHOTO: Universal Pictures (Still image from trailers).

Directed by Steven Spielberg (Raiders of the Lost Ark; Schindler’s List) — Screenplay by David Koepp (Black Bag).

No one does major motion picture pop blockbusters quite like Steven Spielberg. The septuagenarian (soon-to-be octogenarian) star filmmaker is one of cinema history’s greatest science-fiction storytellers, having made science-fiction greats such as Close Encounters of the Third Kind, E.T.: The Extra-Terrestrial, Jurassic Park, Minority Report, A.I.: Artificial Intelligence, and War of the Worlds. So, when it was announced that he would be returning to a cinematic genre, our understanding of which he has helped to sculpt, the ears of cinephiles around the world pricked up, their appetites were whetted, and their excitement built up. That new feature is Disclosure Day, a film that aims to grapple with the question of how we would all react to finding out that we are not alone in the universe. For the legendary director, it is thus a return to concepts that are definitely not alien to his oeuvre. While the new film is not without blemishes, it is nonetheless a strong genre effort that speaks to our current moment with a humanist spirit and plea. It also shows, for all to see, that Steven Spielberg still has what it takes to tap into the incredible sense of wonder with which he has become synonymous.

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REVIEW: West Side Story (2021)

The Jets, The Sharks, and Tony & Maria in Spielberg’s West Side Story – Photo: 20th Century Studios.

Directed by Steven Spielberg – Screenplay by Tony Kushner.

If you’ve been thinking that another West Side Story is pretty unnecessary, then you’re not alone. After all, Robert Wise and Jerome Robbins’ 1961 musical film adaptation of the Romeo & Juliet-inspired Broadway stage play ended up with eleven Oscar nominations and won in ten of those categories including Best Picture. Often regarded as one of the greatest musical films of all time, the 1961 film has made people very familiar with the story. So, did we need Steven Spielberg to make a new version of the stage play? No, we definitely didn’t. But here’s the thing. Let’s be honest, we also didn’t technically need another Batman reboot. We didn’t technically need three different live-action Spider-Men in the last twenty years. However, even though we didn’t need those films, just like how I loved the vast majority of the Spider-Man films, as well as the new Batman flick, I have to say that Steven Spielberg’s West Side Story is just wonderful. We didn’t need it, but I’m glad we now have it.

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