Fantastic Fest 2026 | Preview

Festival logo — Image provided by Fantastic Fest.

Later this month — from September 17th to September 24th — the 21st edition of Fantastic Fest takes place at the Alamo Drafthouse South Lamar in Austin, TX. Over the years, the beloved film festival all about genre film has featured world premieres of such films as There Will Be Blood, Zombieland, and Apostle, as well as the U.S. premiere of Obsession, which now, just a year later, has taken the world by storm following its theatrical release. Now, while I won’t be in Austin, I have been approved for remote coverage of the festival. Thus, I plan to post standalone reviews of select films over the course of the week of the festival, which I am very much looking forward to.

In this preview, I’ll highlight some of the major premieres, screenings, and titles. But this article also dives deeper into Fantastic Fest‘s fascinating line-up, as I have prepared a list of ten films that have caught my eye based on intriguing loglines, the creative team involved, or, in certain cases, the cast that appears in the film. Although it is unlikely that I’ll get to see all of them during my remote coverage, these are some of the films that I think you should seek out if you are going to be in Austin, TX this month.

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REVIEW: I Don’t Feel at Home in This World Anymore (2017)

Release Poster - Netflix
Release Poster – Netflix

The following is a review of I Don’t Feel at Home in this World Anymore – Directed by Macon Blair

One of last year’s most genuine and shocking surprises were Jeremy Saulnier’s Green Room, a violent thriller set in a neo-nazi bar. Green Room was a great little film, which starred Macon Blair in a supporting role, and it made me look back at what Saulnier had made before.

I soon came across Saulnier’s 2013 thriller Blue Ruin, which also starred Macon Blair (this time in a leading role). Both Green Room and Blue Ruin are great, violent thriller films, and I particularly enjoyed Blue Ruin. Therefore my interest was instantly piqued when Macon Blair’s directorial debut – I Don’t Feel at Home in This World Anymore – went on to win the Sundance Festival’s Grand Jury Prize for the U. S. Dramatic competition. Continue reading “REVIEW: I Don’t Feel at Home in This World Anymore (2017)”