Tag: Griffin Dunne

‘Oh, Hi!,’ ‘Is This Thing On?,’ ‘A Big Bold Beautiful Journey,’ and More (2025) | Bite-Sized Reviews

Top Row: Oh, Hi! (Sony Pictures Classics); How to Train Your Dragon (Universal Pictures); Caught Stealing (Sony Pictures Releasing).
Bottom Row: A Big Bold Beautiful Journey (Sony Pictures Releasing); Is This Thing On? (Searchlight Pictures); Anaconda (Sony Pictures Releasing).

Being a cinephile means that you’re never done trying to catch up. Therefore, I sometimes write these bite-sized review collections of films from recent years that I didn’t get to see at the time but have since seen. Today, I want to share my thoughts on six films from 2025. It is a varied collection of films. There are films here that I really loved, but also films that I have complicated relationships with. It’s a mixed bag of films, a potpourri of movies, or as we say in Denmark, “en blandet landhandel.” Perhaps some of these really worked for you, in which case, don’t be shy. Please comment below with your own thoughts on some of these films. If you follow me on Letterboxd, do know that these bite-sized reviews have previously been posted on my Letterboxd profile (either partially or entirely). Should you wish to get a sneak peek at what films I see, I advise you to follow me on that social media platform.

Continue reading “‘Oh, Hi!,’ ‘Is This Thing On?,’ ‘A Big Bold Beautiful Journey,’ and More (2025) | Bite-Sized Reviews” →

REVIEW: After Hours (1985)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Martin Scorsese’s 1985 classic After Hours — Written by Joseph Minion.

Although his 1980 feature film Raging Bull earned Martin Scorsese rave reviews and industry awards recognition, its success did not ensure that Martin Scorsese’s 1980s would be a nice and smooth ride with nothing but successes. Even though he had already made films that we still talk about today, Scorsese was not the box office draw that modern cineastes might have imagined. His follow-up to Raging Bull, his 1982 near-masterpiece The King of Comedy struggled at the box office. Then Paramount Pictures got cold feet due to a sizable budget as well as religious protests, and, as a result, they, eventually, canceled the production of Scorsese’s The Last Temptation of Christ, which was finally made and released with the help of Universal Studios in 1988. So one might understand if, in the mid-to-early 1980s, Martin Scorsese needed to make something wildly different. It was at this point when, before he finally got to make his aforementioned controversial religious passion project, Martin Scorsese made his frantic black comedy After Hours. Continue reading “REVIEW: After Hours (1985)” →