REVIEW: The Guardians of the Galaxy: Holiday Special (2022)

(L-R): Pom Klementieff as Mantis and Dave Bautista as Drax in Marvel Studios’ The Guardians of the Galaxy: Holiday Special, exclusively on Disney+. Photo by Jessica Miglio. © 2022 MARVEL.

Directed by James Gunn — Screenplay by James Gunn.

I’ve made it no secret that the Guardians of the Galaxy films mean a great deal to me. I saw the first film in theaters with my family when we greatly needed something to smile about and we all absolutely loved it. It came around at the exact right time, and James Gunn’s spin on these C-List Marvel characters has made them family favorites (and I’m sure that isn’t just true in my family). I’ve often said that it had the potential for a Star Wars-like impact on a generation, and so I thought it was a hilarious and brilliant idea for James Gunn to add to his overarching narrative about this group of Guardians with a holiday special, as Star Wars’ infamous 1978 holiday special is still spoken about to this day. Thankfully, whereas the Star Wars special was criticized so much that it has never been officially rereleased, this Guardians of the Galaxy special feels much more appropriate to the tone of the films it has spun off from. Like how Werewolf by Night was an entertaining Halloween Marvel Studios special presentation, James Gunn’s Christmas special is exactly what I needed to reconnect with the holiday spirit just in time for December.

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REVIEW: The Green Knight (2021)

The titular character in David Lowery’s THE GREEN KNIGHT — Photo: A24.

Directed by David Lowery — Screenplay by David Lowery.

In the last decade, filmmaker David Lowery has made his filmography appear rather varied and really interesting. The thing is that while he has made these very independent films like this one and A Ghost Story, he has also tried his hand with some more populist films like the live-action adaptation of Pete’s Dragon, which I thought was surprisingly terrific. However, this, The Green Knight, is undoubtedly my favorite film of his thus far.

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REVIEW: Don’t Look Up (2021)

Jennifer Lawrence and Leonardo DiCaprio in Adam McKay’s DON’T LOOK UP — Photo: Niko Tavernise / Netflix.

Directed by Adam McKay (Vice) — Screenplay by Adam McKay.

On Christmas Eve, Netflix released Adam McKay’s star-studded pre-apocalyptic satirical science-fiction film Don’t Look Up, which is a film about scientists trying to get people to care about a life-threatening event being on the horizon. The streamers’ global audience probably didn’t expect McKay’s satirical and irreverent take on a possible world-ending event in their Christmas stockings, but it isn’t coal you’ve found on Christmas morning, rather it is a minutes-to-midnight plea to look around you and realize what needs to be changed before it’s too late that is delivered via a scathing satire whose tone sometimes even resembles a Seth Rogen and Evan Goldberg-esque apocalyptic comedy. Perhaps stars like DiCaprio, Lawrence, Streep, and Chalamet will get you to press play on a film that tries desperately to get people around the world to realize that we absolutely have to listen to and trust scientists and not just political campaigning.

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REVIEW: Klaus (2019)

Release Poster – Netflix

The following is a review of Klaus — Directed by Sergio Pablos.

This year it almost seems like Netflix is plotting to take over the entirety of the Academy Awards. In a couple of months, Netflix hopes to have films like The Irishman, Marriage Story, and Dolemite Is My Name earn nominations and possibly wins at the prestigious awards show. At the same time, Netflix has distributed some of the year’s most talked-about documentaries, so they should earn a nomination in that category as well. Netflix has plenty of frontrunners this year’s film awards season. If Sergio Pablos’ film has anything to say about it, Netflix might also earn a nomination in the animated feature film category for the very first time. Pablos’ Klaus isn’t just Netflix’s first true attempt to earn such a nomination, Klaus is also quite good. Continue reading “REVIEW: Klaus (2019)”