REVIEW: The Green Knight (2021)

The titular character in David Lowery’s THE GREEN KNIGHT — Photo: A24.

Directed by David Lowery — Screenplay by David Lowery.

In the last decade, filmmaker David Lowery has made his filmography appear rather varied and really interesting. The thing is that while he has made these very independent films like this one and A Ghost Story, he has also tried his hand with some more populist films like the live-action adaptation of Pete’s Dragon, which I thought was surprisingly terrific. However, this, The Green Knight, is undoubtedly my favorite film of his thus far.

Continue reading “REVIEW: The Green Knight (2021)”

REVIEW: Don’t Look Up (2021)

Jennifer Lawrence and Leonardo DiCaprio in Adam McKay’s DON’T LOOK UP — Photo: Niko Tavernise / Netflix.

Directed by Adam McKay (Vice) — Screenplay by Adam McKay.

On Christmas Eve, Netflix released Adam McKay’s star-studded pre-apocalyptic satirical science-fiction film Don’t Look Up, which is a film about scientists trying to get people to care about a life-threatening event being on the horizon. The streamers’ global audience probably didn’t expect McKay’s satirical and irreverent take on a possible world-ending event in their Christmas stockings, but it isn’t coal you’ve found on Christmas morning, rather it is a minutes-to-midnight plea to look around you and realize what needs to be changed before it’s too late that is delivered via a scathing satire whose tone sometimes even resembles a Seth Rogen and Evan Goldberg-esque apocalyptic comedy. Perhaps stars like DiCaprio, Lawrence, Streep, and Chalamet will get you to press play on a film that tries desperately to get people around the world to realize that we absolutely have to listen to and trust scientists and not just political campaigning.

Continue reading “REVIEW: Don’t Look Up (2021)”

REVIEW: Klaus (2019)

Release Poster – Netflix

The following is a review of Klaus — Directed by Sergio Pablos.

This year it almost seems like Netflix is plotting to take over the entirety of the Academy Awards. In a couple of months, Netflix hopes to have films like The Irishman, Marriage Story, and Dolemite Is My Name earn nominations and possibly wins at the prestigious awards show. At the same time, Netflix has distributed some of the year’s most talked-about documentaries, so they should earn a nomination in that category as well. Netflix has plenty of frontrunners this year’s film awards season. If Sergio Pablos’ film has anything to say about it, Netflix might also earn a nomination in the animated feature film category for the very first time. Pablos’ Klaus isn’t just Netflix’s first true attempt to earn such a nomination, Klaus is also quite good. Continue reading “REVIEW: Klaus (2019)”