The twenty-fifth James Bond film produced by Eon Productions, Cary Joji Fukunaga’s NO TIME TO DIE, was scheduled to be released just next month on April 2nd in most of the world and on April 10th in the United States. The coronavirus outbreak has now affected most of the world, and major events all over the world are now likely to be either canceled or postponed. Now MGM, Universal Pictures, and Eon Productions have announced that the publicity tour and the global release of the film have been postponed to November 2020 to minimize the risk of infection at movie theaters all over the world and to ensure commercial success. Continue reading “‘NO TIME TO DIE’ Theatrical Release Postponed Due to Coronavirus Outbreak – Special Features #64”
The following is a review of The Wandering Earth — Directed by Frant Gwo. Available on Netflix now.
This 2019 release is a two-hour long blockbuster film that has made close to $700 million globally at the box office. There are no superheroes in the film, it isn’t based on Marvel or DC, and it doesn’t belong to a vastly popular science-fiction or fantasy franchise. On top of that, this isn’t an English-language film. In fact, it wasn’t released widely in theaters in Europe or North America.
This is The Wandering Earth, a relentless Chinese blockbuster film that proves that glorious spectacle created outside of North America can rival the best Hollywood has to offer in disaster film — at least when it comes to incredible and unfathomably spectacular action. I’ve got plenty of issues with The Wandering Earth, but the one thing that really impressed me was the science-fiction visuals because, normally, you don’t get these astoundingly well-designed visuals without the direct influence of a major American studio. Continue reading “REVIEW: The Wandering Earth (2019)”