Ladies First (2026) | REVIEW

Sacha Baron Cohen as Damian Sachs in Netflix’s LADIES FIRST — PHOTO: Netflix (Still image from trailers).

Directed by Thea Sharrock — Screenplay by Natalie Krinsky, Cinco Paul, and Katie Silberman.

Thea Sharrock’s Ladies First is an English-language remake of Netflix’s 2018 French romantic-comedy Je ne suis pas un homme facile (international title: I Am Not An Easy Man) from director Éléonore Pourriat. The film follows Damien Sachs (played by Sacha Baron Cohen), a chauvinist high-ranking executive at an advertising agency, who gets recently promoted creative director Alex Fox (played by Rosamund Pike) to quit her job. She decides to leave when it becomes clear to her that he doesn’t care at all what she thinks and only promoted her for show. As Damien follows her out of their place of employment, he knocks himself out. He then wakes up in a world where positions of power have shifted into some kind of matriarchal society. To get back to his own world, Damien is told that he must rise through the ranks at the advertising agency, all the while overcoming the workplace and societal discrimination that women endure in the patriarchal society from which he originates.

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Frankenstein (2025) | REVIEW

Oscar Isaac as Victor Frankenstein in Guillermo Del Toro’s FRANKENSTEIN — PHOTO: NETFLIX (Still image from the trailers).

Directed by Guillermo Del Toro — Screenplay by Guillermo Del Toro.

There are literally hundreds of films either directly based on or partially inspired by Mary Shelley’s Frankenstein; or, The Modern Prometheus, so the story of Victor Frankenstein (and his creature, or monster, that is often wrongly referred to as just ‘Frankenstein’) is one that audiences of most ages know quite well either through having seen films based on the story or through references in pop culture that, with stories as familiar as this one, tend to fasten in your audiovisual language through a process of cultural osmosis. One auteur, however, hopes that his passion project can add something new to the storied legacy of the character, and now Netflix has given that opportunity to that auteur. I am, of course, referring to Guillermo Del Toro, the Oscar-winning filmmaker with a known love for classic monsters, creature effects, and both horror, fairy tale, and gothic storytelling. It should be a match made in heaven, and, frankly, I do think the wait for Del Toro’s take on Frankenstein, his 13th feature film as a director, was worth the wait. 

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REVIEW: Against the Ice (2022)

Nikolaj Coster-Waldau and Joe Cole in Peter Flinth’s AGAINST THE ICE. — Photo: Netflix.

Directed by Peter Flinth – Screenplay by Nikolaj Coster-Waldau & Joe Derrick.

Against the Ice first showed up on my radar some time ago. I mean, can you blame me? As a Dane, it is really exciting when a major streamer like Netflix decides to acquire a historical survival drama about Danes, directed by a Dane, co-written by a Dane, and so much more. Really, I could go on and on about all of the Danes involved with the production. And yet, it isn’t actually in Danish. This aspect was a little bit of a disappointment to me, but I can understand why some may have felt it should be in English. Unfortunately, while I do think this is a mostly ‘okay’ survival drama, the language wasn’t my only disappointment.

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RETRO REVIEW: Alien 3 (1992)

Release Poster – 20th Century Fox

The following is a review of Alien 3 – Directed by David Fincher. For more Alien reviews, check out this category.

Alien 3 was directed by someone we today consider to be one of the great directors out there. David Fincher is a highly regarded filmmaker, and that is, sadly, in spite of his first feature film – Alien 3 – which is often regarded as the first real misstep in the Alien-franchise. Continue reading “RETRO REVIEW: Alien 3 (1992)”