Who Should Be the Next James Bond?

You don’t find many movie characters that are as iconic as James Bond. At this point, the torch has been passed from actor to actor and reboot to reboot for several generations, and the character has been redefined more than once. After Cary Joji Fukunaga’s No Time To Die, Daniel Craig has relinquished the role and is passing it on after having been the longest-tenured actor in the role (even though he doesn’t have the most films under his belt).

But what comes next? There are so many questions right now. Will the character’s next adventures take place today? Will they be standalone adventures? Will it even be the same character? And, hey, who should actually be the next James Bond? So, please do join me in this article as I try to answer some of those questions, or, at the very least, give my opinions on the matter. I have thoughts.

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REVIEW: Fantastic Beasts: The Crimes of Grindelwald (2018)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Fantastic Beasts: The Crimes of Grindelwald — Directed by David Yates.

Everybody wants to rule the world. Everybody wants to be Marvel Studios or Lucasfilm. It is perfectly natural to want to make many Harry Potter spin-off films, but it is a bit much to want to make five films about Newt Scamander. But that isn’t all Fantastic Beasts is. Because this film makes it very clear that the Fantastic Beasts-brand is used as an all-encompassing title for every prequel spin-off dream Warner Bros. and J. K. Rowling, who is now writing the scripts for these films without basing it on a book of hers, could be interested in. Continue reading “REVIEW: Fantastic Beasts: The Crimes of Grindelwald (2018)” →

REVIEW: Green Room (2016)

Theatrical Release Poster - A24
Theatrical Release Poster – A24

The following is a quick review of Jeremy Saulnier’s Green Room.

Jeremy Saulnier’s Green Room follows a punk band called ‘Ain’t Rights,’ which is nearing the end of their tour. In Oregon, they meet a local radio host who arranges a gig at a neo-Nazi bar. After the show, the band goes back to the green room, and they see a girl who has been stabbed to death. When the band’s bassist (played by Anton Yelchin) tries to call the police, the bouncers and the bar owners freak out and hold them at gunpoint inside the green room.
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