Month: June 2014

What Am I Reading? 4 of 6

The following post is the fourth of six revolving around what I am reading (mostly comics) in 2014. Every post will cover two months, and therefore this one will cover July and August.

So, I recently had a tough time reading more comics – I fear that maybe I’ve stalled completely because of my very fast pace reading and buying comics on comixology. With that being said, I am absolutely certain that my main focus, if I return to comics soon, will be Avengers, Guardians of the Galaxy and the event ‘Original Sin’, the latter of which I have begun, but I am not caught up completely.

Also, I’ve started reading the Pulitzer-Prize winning ‘American Lion’ by Jon Meacham. It focuses on President Andrew Jackson, a president that is rather interesting – and I feel this will take much of my time in the coming months, as I am on my summer break. Not much else to report today, as I am really just relaxing with the FIFA World Cup.

I will be leaving for a festival soon, might blog about it – but while I am gone, please do recommend comics or books for me to read.


ALBUM REVIEW: Linkin Park – The Hunting Party (2014)

I’ve listened to Linkin Park for the past 14 years, and they’ve made some of my favourite songs of all-time. The fact that I’ve met them at Meet & Greets has only solidified their places in my heart. In these days they are releasing their sixth studio album titled ‘The Hunting Party’ – referring to a Japanese article about culture being in trouble, because all young men were simply herbivores. This is their hunting party, rough, loud, fast and free. In the following review I will go over each song, and try to compare it to those of former albums – and in the end, try my hardest to come up with a score. For more on their past albums, check out my ‘Legends’ section for song grades.

  1. Keys To The Kingdom: If you were wondering what direction they were headed in with this album, then this opening song definitely makes a mark. Opening with a distorted screamed chorus by Chester Bennington, this song quickly attempts to find the band’s place within the aging ‘Heavy’ core of Rock music. However, about 45 seconds into the song we have Mike Shinoda attempting to reclaim his singing voice from songs such as ‘Roads Untravelled’. In many ways this song is representing the many ways this band has evolved, as we have some techno, some heavy, some rap-rock and some soft elements. The band has chosen to curse in the chorus, and had Mike Shinoda not had his soft-element within this song – then this would easily have been a swift return to the Rap-Rock/Nu-Metal roots.
  2. All For Nothing (Feat. Page Hamilton): This is true Rap-Rock as we know it, though without the plentiful Heavy-elements. The verses are sung by Shinoda, and lead to a chorus that is really great in my ears. This song is perfect for those ‘fans’ that have decided to stop following the band because of them having forgotten their roots. This should please them, as I’m sure it will the remaining large fan-base. This was an early-album favourite of mine.
  3. Guilty All The Same (Feat. Rakim): This was the first song released from the album, and I’ve definitely gotten used to it – it opens with some of the roughest intrumental play for Linkin Park in a while, and then slowly turns into a great rap-rock sound. I think its chorus fits perfectly within the Linkin Park-chorus family, and the addition of Rakim has only helped Linkin Park in this song. ‘Tell us all again how to do what you say’ – is a powerful line, and I cannot help but think this song is a response to fan criticism, and possibly Linkin Park telling us that the entire genre has moved, they are all guilty of evolving and abandoning the genre. Regardless, this is a really great song – and as you know, I love the entirety of the Linkin Park evolution.
  4. The Summoning: This is an instrumental song, as we know Linkin Park to often include. Lasting only one minute, this song should not do much but allow the wait for the coming songs to be more interesting. I would describe this instrumental as eerie – but I love it.
  5. War: This seems very heavy to me, perhaps too heavy for me. The chorus is simply… ‘WAR!’, and though I love Chester’s voice even when screaming – this song does not interest me as much as the rest of the album does. I don’t think it fits on any other album they’ve made, not even Chester’s side project ‘Dead By Sunrise’. This isn’t a bad song, it’s just not my kind of song.
  6. Wastelands: This 100% feels like the Linkin Park of their Meteora-days, and this rap-rock return is definitely well-received by me. I absolutely love the chorus, but I do agree with other fans that the melody being played during the chorus sounds like the Guilty All the Same melody. Maybe they should have placed them closer together on the album. Regardless, when I was worried about how this album would turn out (prior to the entire album release) – this song singlehandedly got my hopes up again.
  7. Until It’s Gone: I feel that this is a polarizing song. This definitely feels like a Linkin Park song, and could’ve been on Living Things easily. I’ve heard this song being referred to as ‘cliche’, and it is – and that’s the main problem with this song. The text, the lyrics, is not challenging enough – and therefore feels very simple when listened to. With that having been said, this is a song that will surely be stuck in your head – and that’s not a bad thing.
  8. Rebellion (Feat. Daron Malakian): I was looking very much forward to this song due to the fact that they’ve Daron Malakian featuring on this song with them. This is possibly my favourite lyric-song, as the chorus is right in line with my interests and opinions. “We are the fortunate ones. Who’ve never faced oppression’s gun. We are the fortunate ones. Imitations of rebellion.” – a comment on today’s social problems in the western world, I believe – and their value compared to the real rebels of the world.
  9. Mark The Graves: I’ve heard some people refer to this song as the album’s version of ‘Numb’ in stylistic choice. This might in fact be the only song befitting of that title. This song is much softer than one first imagines when hearing the introductionary instrumental. The chorus is simple, but sounds really great from the voice of Chester Bennington. I would probably say, though, that the verses of the song feel more like parts of a bridge section – therefore I do believe the structure of the song is interesting and different. This is a stand-out song, and definitely not in a bad way.
  10. Drawbar (Feat. Tom Morello): I’m sure we all thought Morello’s involvement would’ve been bigger, but I don’t fault the album for that, for I actually think this is one of the more beautiful instrumentals in recent Linkin Park memory. A highlight on this album.
  11. Final Masquerade: This was a welcomed surprise, acting very much as a reminder of their great Minutes to Midnight-album, this song represents one of their softer sides – and could actually feel somewhat like a Dead by Sunrise-song. A side that I’ve fallen in love with over the years as they have evolved. The song itself paints the picture of a relationship about to end, as the people involved are simply keeping up a play, the final masquerade, to match the expectation – as they are slipping away from each other.
  12. A Line In The Sand: Quite possibly my favourite song on the album, this one opens very much like The Little Things Give You Away, and then turns into a more rap-rock focused core. I love this song, and it is perhaps described best on my Twitter-acount: – A mixture masterpiece, indeed. Representing all sides of Linkin Park.

In the end, this album shows us a different Linkin Park than the one premiering their Living Things album in 2012. It is not without its flaws, but stands as a brief return to old material, as well as a representation of the proposed resurrection of Heavy Metal in Rock. The album does not top Meteora or Hybrid Theory, but becomes an album closely related due to its core.

Final Score: 9.0 out of 10.0. Linkin Park return to their roots, with an album that attempts to resurrect a dying genre in pop culture.

#ThankYouFrank – A Tribute To Frank Lampard

Frank Lampard of Chelsea celebrates his teams title with a drink of champagne

Today’s date will forever feel sad to me. June 2nd 2014. It is the day that Frank James Lampard has confirmed that he is leaving Chelsea Football Club. I started watching football in the early 2000s, and became a fan of hometown heroes FC Copenhagen. But I never felt connected to the team, I did not feel love for the team. You have to understand that I was not a football fan per se, seeing as my father never watched sports – it was all up to me to find something to care about, as my father was constantly working or spending his free time enjoying film after film – the birth of my cinematic interest.

Along came Frank Lampard. I had always loved the English culture, and had been raised somewhat as if I was English – ‘Mary had a little lamb’ etc. was what my parents gave me and my sister – not something Danish. An English team seemed natural. In that time Peter Schmeichel was still supported heavily in Denmark, and therefore people always wanted me to support Manchester United. I did not. Neither did I note that Chelsea Football Club had signed Danish winger, Jesper Grønkjær – a man who, undoubtedly, is to blame for early coverage of Chelsea in the media.

Frank Lampard was signed by Chelsea Football Club in June 2001, 13 years ago, and his resemblance to Lee Ryan of the Pop Group ‘Blue’ intrigued me. That was when I fell in love with how he played. Suddenly, almost over night, I had been turned into a Chelsea Football Club Fan solely because of Lampard. I even remember buying his autobiography ‘Totally Frank’ in the original language, even though I had little real English teaching. It strengthened my language skills, and thus has a major impact on my current study – English at the University of Copenhagen.

Since then he has become the best player in Chelsea Football Club history, the most scoring player for Chelsea, as well as a stellar example of intelligence and respect on the pitch. My faith in ‘super’ Frank Lampard was never lost, and thus my relationship with Chelsea grew. I became a fan, I fell in love with the team by proxy.

Today broadcaster Kay Burley tweeted the following statement from Frank Lampard, following rumours of him signing with New York City Football Club, a new Major League Soccer Team created by the owners of Manchester City:

“This club has become part of my life and I have so many to thank for the opportunity. Ken Bates who put his neck on the line to sign me as young player. Abramovich, the man who saved our club and took us to a new level. Special mention to all the staff and people behind the scenes who do not receive the glory. Finally and most importantly I would like to thank the Chelsea FC fans. I believe they are the greatest fans in world football. Whatever the next challenge I will always be among you and have Chelsea in my heart. Thank you for the memories Chelsea Football Club and keep making history!” – Frank Lampard statement, through Kay Burley.

I am forever grateful to Frank Lampard, and I wish him all the best in the future – I will always follow his career as a fan. The greatest footballer I have ever seen play – and I am truly thankful to have attended games in which he played – versus Copenhagen, Brøndby and Nordsjælland.


Thank you for everything Frank Lampard. A True Chelsea Legend – Forever and Always.